12th September 2018 Head shots
This year the head shot side of my work has really grown. As a woman who runs her own business, word of mouth has brought other female freelancers and entrepreneurs who need good portraits for their websites and social media to me. I love taking these photographs because it gives me the opportunity to find out more about what other people do and why. It’s fascinating working closely with someone else to help them present themselves as they want to be presented.
I follow the same gentle approach with head shots as I do with family photography. The session is unhurried and my priority is making my client feel comfortable in front of the camera so that they can show the best of themselves. In the studio I work with the camera linked to a computer so that we can constantly review the images on screen together and decide what lighting to tweak, what poses and facial expressions are working best, if an outfit change would improve the pictures. We go back and forth between looking at the images and shooting more until my client is completely happy with the results, which I then gently retouch to bring out the best in them whilst still looking very natural. I also offer head shots on location, if that is more relevant to your business. I have a make up artist that I work with regularly if you’d like a little help in that department.
If you’d like to have a chat about my head shot packages, please get in touch.
I have been so busy doing outdoor autumn photo sessions for the last couple of weeks that I haven’t had time to put any of the images online, but I had to share these.
This is the final session in my first year package with a wonderful family whose daughter I photographed at 7 months and as a newborn. As many families choose to, they had each one of their three sessions in different locations. So they now have studio images of their daughter, photographs taken at home and images taken at a favourite location. And what a great idea it was to do the location session in Battersea Park in the autumn.
Despite it being nearby, I’d never actually been to Battersea Park before. London has so many amazing parks that I am slowly working my way through but I think it may take me a lifetime. We postponed the session by a week, as the weather wasn’t good on the day we had originally booked it for. I’m really passionate about doing outdoor portrait shoots using beautiful available light so am always happy to rearrange to ensure we get the best pictures possible. I’m very glad we did this time. The colours of the leaves lit by the low sun were amazing.
As I said before, it’s always sad to finish a one year package but I’m very glad that we were able to do such a fun session as the last one with this family and that I got to see their daughter walking and looking so grown up.
I have just got back from my first truly autumnal swim of the year at Tooting Bec Lido. Small golden leaves softly rained down upon me as I swam and more floated on the surface of the water and lay on the bottom of the pool. I love the heat of summer, so always have a little disappointment to get over before I remember that autumn is the best time of year for outdoor photography.
It is particularly special for me, as it was after a lovely autumn session with three toddlers in the woods about five years ago that I came up with the name Warm Glow Photo. The combination of the amazing light you get at this time of year with the variety of golds, reds, yellows and browns of the trees and the leaves underfoot, as well as the freedom and excitement the children felt as they explored it, showed me the type of photographer I wanted to be.
I wanted to share with you a few of my favourite autumn pictures. If you’re interested in booking a session please get in touch. I really love photographing outside at this time of year and would like to do it as much as possible.
This weekend I am doing the final session from a First Year Package with a wonderful family. This reminded me that I hadn’t shared their seven month session yet, as it was just before I went on maternity leave.
Of all the work I do, I love First Year Packages the most. Photographing the same family three times means I really get to know them and they become more comfortable with me, so the pictures get better and better. Even if the baby can’t remember me from one session to the next they see how their parents respond to me, which helps them to relax. I also get to see the child grow up, which is truly magical.
It has been lovely to get to know this family, who are very warm, friendly and welcoming. The fact that I did their newborn session when I had just discovered I was pregnant and this session when I was quite heavily pregnant made it extra special for me. I’m really excited to see their daughter again this weekend as she grows into a toddler. She already had such a wonderful character last time I photographed her, this time her personality will shine even more brightly.
This family are great to work with because they have lots of ideas for fun photos and really get into the session. What I enjoy most about photographing them is how clearly the parents’ love for their daughter shows in the images.
I’ve just been working on an order from this newborn session that I did right at the end of my pregnancy. Photographing so many newborns while I was pregnant was a massive privilege that I feel very grateful for. It put me in the right frame of mind to welcome my own daughter into the world.
Looking back on these pictures today is a little bittersweet as it reminds me just how quickly babies grow up. It wasn’t that long ago but this little girl will never be that tiny newborn again, that moment is gone forever. The baby that was in my tummy when I took these pictures is now on the cusp of crawling and about to start eating food!
On a less emotional and more practical note, I love using over-exposed windows as a background. It’s almost plain white but if you look closely you can see London buses, which shows where the family live.
Late last year I did a very exciting fashion shoot for Campbell Crafts. In our first time working on location together, we did a bowling themed shoot at All Star Lanes in Bayswater with Miss Victory Violet modelling Campbell Crafts latest creations. The venue was amazing. The decor was so beautifully evocative of another era. The staff were great to work with: nothing was too much trouble and they make a mean milkshake. Miss Victory Violet was very professional, friendly, easy to work with and looked amazing in the clothes.
However, the shoot was a little challenging. The lighting in the bowling alley, while perfect for a night out, was much to dark for photography. When I set up my portable studio flash I discovered that pretty much everything in a bowling alley is reflective (polished floors, chrome fittings, shiny balls), so avoiding reflections and glare was pretty tricky. I was also five months pregnant at the time, but thankfully everyone helped me get my massive amount of kit from the roof top car park to the basement bowling alley!
I love the variety and different experiences that this type of work brings, in addition to getting a chance to work with such interesting and creative people.
Here’s how the pictures looked when published in the spring issue of In Retrospect magazine.
So, it’s been a little quiet for Warm Glow Photo recently as a business but it’s been very busy period for our expanding family. I’ve taken some time off because my daughter was born earlier this year. The time has passed so quickly and I can’t believe I am already back to work, but I am really looking forward to being able to focus on photography again.
During both my children’s early babyhood I thought that I would take loads of pictures of them and use this as an opportunity to practise new techniques and really build up my portfolio. I forgot two very important things:
Firstly, I will be pretty busy actually caring for the baby. Feeding, changing nappies, wiping up sick and dealing with poonamis take much more time than I remembered and this time I’ve been juggling it with entertaining a five year old.
Secondly and perhaps most importantly, the act of photographing distances yourself from being part of the event you are photographing. You are slightly detached; the camera is between you and your subject. This is a constant dissonance I feel: I want to fully participate in life, but I also want to record it.
I wanted to photograph the warm, beautiful, cosy moments of the newborn period, but I also wanted to lie listening to her breathing. Feeling her hot, milky breath on my face and believing that we were in some ways still one person. When I put a camera between us I couldn’t do that.
I’m so grateful that my wonderful doula Juana took amazing photos of the birth, recording a life-changing event when I was totally in the moment and wanted no distractions. I also plan to hire a photographer for some family photographs when my daughter is six months old, so that I can be present in them. I want other photographers to photograph my life, while I get back to photographing other people’s lives.
I did manage to take some pictures of the first few months, and here are some of my favourites. The special moments that I didn’t photograph I drank in deeply and keep inside me.
The lovely family that I wrote about last week also asked me if I could photograph their new daughter’s baptism. This was a new one for me, having never photographed or even been to a baptism before. However, I hoped that my many years of experience of photographing weddings and children would enable me to do the event justice.
I am so grateful to them for offering me the opportunity to try something new. The baptism took place the day after our home lifestyle shoot, which meant I had already got to know the family well and the children were comfortable with me. It was a small, private ceremony which worked really well for my first time. The guests and the priest were very welcoming and friendly. A list of shots required provided by the mother ensured that I didn’t miss any of the key moments.
I thoroughly enjoyed my first experience of photographing a baptism and hope I get the opportunity to do more in the future.
I recently had the most wonderful weekend photographing a lovely family. I’ve been really looking forward to sharing it.
The mother contacted me a very long time ago after finding my details on the South London Attachment Parenting Facebook group. She initially contacted me to enquire about photographing the birth, which I have never done before but was massively intrigued by. That ended up not working out but she did get in touch with me to do a lifestyle shoot with her partner, baby and older child and to photograph the new baby’s baptism.
My own interest in learning about attachment parenting has massively influenced the way I work as a family portrait photographer, so I always really enjoy working with families who have a similar approach. For me, the comfort and happiness of the child is always more important than getting a particular shot and I believe that if the family are relaxed and happy then we can make great photographs together.
This family were really great to work with. Their son seemed to feel comfortable with me very quickly and was happy to let me photograph him playing with his dad and his toy trains. I also managed to get some very cute pictures of his little sister snoozing in her sling. We then went out for a walk/scoot around the neighbourhood, which meant an unexpected opportunity to take some of my favourite type of pictures – children enjoying autumn. We even got to throw leaves over each other. Then it was back home to get some pictures of the family reading together and some of the baby in her very special reusable nappy.
I so enjoyed working with this family and was very happy to come back the next day to photograph the baptism, which I’ll post about next week. I also received the most wonderful feedback from the mother:
“I also wanted to say how positive of an experience it was to have photos taken by you. We felt very relaxed with your presence and appreciated how you just worked with the flow of our home. One think that particularly stood out was how you knelt down to our son’s level and spoke with him about why we wanted to scoot/walk in the direction we pointed. I think we all knew that if I just scooped him up, that would surely lead to tears. We found you via the SELAP group so I assume you are a similar minded parent, but it really means a lot to us that you were willing to step in and not just photograph.”
I am very excited to have one of my photographs featured in the 28th Annual Exhibition of the London Independent Photography group. The image I submitted is quite a departure for me because it is not a portrait, but something from a personal project that I have been working on for a while.
The exhibition runs from 15th – 20th November st The Espacio Gallery, 159 Bethnal Green Road, E2 7DG.
Here is a message from Alec Leggat, the exhibition organiser:
“This year we are showing over 90 prints from more than 70 photographers, demonstrating the extraordinary diversity, breadth of talent, and craft for personal expression within the London Independent Photography membership.
For the first time we also invited members to submit photo publications for inclusion in the show. The selectors chose four titles from a submission of 12 handmade books, zines, limited edition and short print-run books.
Our independent selectors this year were Max Houghton, senior lecturer in photography at London College of Communication, previous judge for the Firecracker Awards, and was named among the top 50 industry professionals by Featureshoot; Melanie King, alternative photographer and founder of the London Alternative Photography Collective; and Michelle Sank, senior lecturer in photography at Falmouth University, and who has exhibited and published her work widely including in The Guardian, The Observer and The Telegraph.”